Two people, one camera
Pure Vibes starts as a two-person crew shooting music videos out of a rented room.
Home Studio
The
studio
Twenty-two people in one building: direction, production, camera, aerial, edit, colour and sound. Nothing important gets outsourced.
Manifesto
Craft beats
Craft beats
volume
Pure Vibes started in 2016 with one camera, a rented edit suite and a stubborn idea: that a production company should be judged on the work it turns down as much as the work it takes. We still work that way.
We do not chase every brief. We take on projects where the idea is worth the effort, where there is enough time to do it properly, and where we can be honest about what the budget will and will not buy. That has kept the studio small enough to care and large enough to deliver.
The result is a studio where the person who pitched your film is on set for it, and the colourist who grades it has read the treatment. Fewer handovers, fewer surprises, a better picture.
150
Happy clients
320
Projects delivered
4.9
Average rating
8
Years of experience
Timeline
Ten years,
Ten years,
one direction
First studio
We move into our own space and bring editing and colour grading fully in-house.
Aerial division
Licensed drone and FPV operations added, with pilots on staff rather than subcontracted.
First award
The Cut wins title design at SXSW and opens the door to feature and broadcast work.
Twenty-two people
A full studio: direction, production, camera, aerial, post, colour and sound under one roof.
People
Who you
Who you
will work with
Four leads, plus a core crew of eighteen and a trusted freelance bench for larger builds.
Noa Keïta
Founder & DirectorStarted Pure Vibes in 2016 with one camera and a rented edit suite. Directs the studio's brand films and leads every treatment.
Marcus Adeyemi
Director of PhotographyShoots anamorphic whenever the budget allows and available light whenever it does not. Ten years across commercial and documentary sets.
Amara Diallo
Lead PhotographerRuns the stills side of every production, from campaign portraits to same-day event delivery. Published across editorial and fashion.
Jonas Weill
Head of PostColourist first, post supervisor second. Owns the grading suite, the delivery specs and the calendar that keeps them on time.
Post-production
Graded in-house,
Graded in-house,
on calibrated screens
Our grading suite and Atmos mix room are in the same building as our producers. Notes travel in minutes, not days.
Equipment
Owned,
Owned,
not rented
We own our core package, so the budget goes into shoot days rather than hire fees.
Cameras
- ARRI Alexa 35
- ARRI Alexa Mini LF
- RED V-Raptor 8K VV
- Sony BURANO
- Sony FX9
- Phase One IQ4
Optics
- Cooke S7/i primes
- Zeiss Supreme primes
- Atlas Orion anamorphic
- Angénieux Optimo zooms
- Laowa probe
Movement
- DJI Ronin 4D
- DJI Inspire 3
- Cinema FPV fleet
- Motion-control arm
- Cable-cam
- Tracking vehicle
Light & grip
- ARRI SkyPanel
- Aputure 1200d & 600x
- Astera tubes
- 12×12 rag kit
- Full grip truck
Post
- DaVinci Resolve Studio suite
- Calibrated reference grading room
- Dolby Atmos mix room
- Flame & After Effects finishing
- 40TB on-set backup
Recognition
Awards &
Awards &
selections
2025
Best Brand Film
Shots Awards — Shortlist
2025
Cinematography, Commercial
Ciclope Festival — Bronze
2024
Best Live Music Film
UK Music Video Awards — Nominee
2024
Craft: Colour Grading
Kinsale Sharks — Silver
2023
Title Design
SXSW Film Design Awards — Winner
2023
Documentary Short
Aesthetica Film Festival — Official Selection